Number of the records: 1
Blast to freeze
SYS m0026003 LBL 01757cam-a2200409-a-4500 003 CZ-CbJVK 005 20210705234845.7 007 ta 008 100922s2002----gw-a---e-c----000-0deng-d 020 $a 3-7757-1248-8 $q (brož.) 040 $a GyWOH $b cze $c GyWOH $d NIC $d ABA001 043 $a e-uk--- 045 $a x-x- 072 -7
$a 72/76 $x Výtvarné umění $2 Konspekt $9 21 080 $a 72/76(410) $2 MRF 080 $a 7.036/.038 $2 MRF 080 $a (410) $2 MRF 080 $a (083.824) $2 MRF 245 00
$a Blast to freeze : $b British art in the 20th century / $c [edited by Henry Meyric Hughes,Gijs van Tuyl ; Kunstmuseum Wolfsburg] 246 30
$a British art in the 20th century 260 $a Ostfildern-Ruit : $b Hatje Cantz ; $b Kunstmuseum Wolfsburg, $c c2002 300 $a 359 p. : $b il. (převážně barev.) ; $c 28 cm 500 $a Obsahuje zprávy od patronů výstavy Tony Blaira and Gerharda Schrödera 500 $a "This catalogue is published on the ocassion of the exhibition 'Blast to Freeze, Britische Kunst im 20. Jahrhundert', Kunstmuseum Wolfsburg, 14 September 2002-19. Januar 2003 ; "Blast to Freeze, British art in the 20th century, Les Abattoirs, Toulouse. 24 Feb.-11 May 2003"--S. [360] 520 3-
$a It was a sensation, indeed, when the young British artists took over the art scene in the 1990s. But what came before them? With works from more than 100 artists, Blast to Freeze traces the epoch-making art movements of an entire British century, from the outbreak of World War I to the collapse of the Soviet Union, beginning and ending with a decided break from the traditional. In 1914 a group of young British artists, the Vorticists, in their avant-garde journal Blast!, propagated a style that blended influences from French cubism and Italian futurism into an independent British modernism. In turn, mavericks such as Henry Moore and Francis Bacon are unthinkable without the British primitivists and surrealists of the 20s and 30s. The specifically British brand of pop art began with the legendary exhibitions of the Independent Group in the 50s, and in the 80s, new British sculpture emerged, represented by important proponents such as Tony Cragg and Antony Gormley. The YBAs, presented to the world in the exhibition Freeze, jointly organized by Damien Hirst and friends in the London Docklands in 1988, brings the survey to a close. Under the Union Jack: Francis Bacon, Peter Blake, Tony Cragg, Ian Hamilton Finley, Lucian Freud, Gilbert & George, Antony Gromley, Richard Hamilton, Damien Hirst, David Hockney, Gary Hume, Allen Jones, R. B. Kitaj, Richard Long, Henry Moore, Julian Opie, Bridget Riley, Kurt Schwitters, Richard Wentworth, Rachel Whiteread, and many more Essays by Andrew Causey, Richard Cork, David Curtis, Penelope Curtis, Margaret Garlake, Charles Harrison, Robert Hewison, James Hyman, Jeremy Lewison, Marco Livingstone, Norbert Lynton, Tim Marlow, Anne Massey, David Alan Mellor, Richard Shone and Christopher Stephens. Paperback, 9.75 x 11 in., 215 color, 178 b/w illustrations $c okcz $u https://www.obalkyknih.cz/view?isbn=9783775712484 $2 Web obalkyknih.cz 648 -7
$a 20. století $7 ch460558 $2 czenas 650 07
$a britské výtvarné umění $y 20. stol. $7 ph114198 $2 czenas 650 07
$a moderní umění $z Velká Británie $7 ph115340 $2 czenas 655 -7
$a katalogy výstav $7 fd132536 $2 czenas 700 1-
$a Hughes, Henry Meyric, $d 1942- $4 edt 700 1-
$a Tuyl, Gijs van $4 edt 710 2-
$a Kunstmuseum Wolfsburg $7 ko2003167982 $4 pbl 910 $a CBA001 FMT BK
Number of the records: 1