Number of the records: 1
Piano trios
sound recording
Beethoven, Ludwig van, 1770-1827 - Composer
2 CD audio (2:12:05) ; 12 cm
099925428822 0999254288220
Beethoven, Ludwig van, Beethoven, Ludwig van, Beethoven, Ludwig van, Beethoven, Ludwig van,
18.-19. století 1795-1813
komorní hudba
tria kompaktní diskyCall number HCD 12.796 Title statement Piano trios / Beethoven Main entry-name Beethoven, Ludwig van, 1770-1827 (Composer) Publication Praha : Supraphon, 2020 Copyright notice date ℗2020 Phys.des. 2 CD audio (2:12:05) ; 12 cm National bibl. num. cnb003255473 Note Název z disku. Technika záznamu DDD. Informace o hudbě a interpretech vícejazyčně (34 stran) v pouzdru Contents CD1. Klavírní trio c moll, op. 1 č. 3 (1793-95) (29:50) -- Klavírní trio B dur, op. 97 "Arcivévodské" (1811-13) (43:57) -- CD2. Klavírní trio D dur, op. 70 č. 1 "Geistertrio" = "Trio duchů" (1808) (27:19) -- Klavírní trio Es dur, op. 70 č. 2 (1808) (30:40) Another responsib. Obsahuje (dílo): Beethoven, Ludwig van, 1770-1827. Tria, klavír, housle, violoncello, op. 1. Č. 3
Obsahuje (dílo): Beethoven, Ludwig van, 1770-1827. Tria, klavír, housle, violoncello, op. 97, B dur
Obsahuje (dílo): Beethoven, Ludwig van, 1770-1827. Tria, klavír, housle, violoncello, op. 70. Č. 1
Beethoven, Ludwig van, 1770-1827. Tria, klavír, housle, violoncello, op. 70. Č. 2
Another responsib. Smetanovo trio (Instrumentalist)
Subj. Headings 18.-19. století * 1795-1813 * komorní hudba - Německo - 18.-19. století Form, Genre tria * kompaktní disky Cast/Featuring housle (1) ; violoncello (1) ; klavír (1) [celkový počet interpretů: 3] Conspect 786/789 - Hudba pro jednotlivé nástroje UDC 785.7 , 785.73 , (086.76) Country Česko Document kind Audio documents "Ludwig van Beethoven (1770-1827) - Piano Trio in C minor, Op. 1 No. 3; Piano Trio in B flat major, Op. 97, the "Archduke Trio"; Piano Trio in D major, Op. 70 No. 1, the "Ghost Trio"; Piano Trio in E flat major, Op. 70 No. 2 Smetana Trio: Jitka Čechová - piano, Jan Talich - violin, Jan Páleníček - cello When Beethoven assigned the opus number one to his three piano trios, it was evident that the then 22-year-old composer would explore, advance and co-create the composition rules, and that he would very nearly transcend that which was comprehensible to his contemporaries. Upon hearing the first private performance of Op. 1, Joseph Haydn purportedly voiced his doubts as to whether the ordinary listener would be able to understand No. 3. Beethoven experimented with this combination of instruments too - with the form, harmonies and other facets. The Piano Trio in D major, Op. 70 No. 1 may have had its roots in sketches for an opera based on Shakespeare's drama Macbeth that Beethoven was contemplating at the time. The spectral music of the slow movement, featuring strange modulations and said to be a reworking of the Witches Chorus intended for the opera, earned the piece the nickname "Ghost Trio". In the "Archduke Trio", Op. 97, Beethoven emancipated all the instruments, providing each equal scope to apply their technical qualities and possibilities of expression. Its first performance, in April 1814, was the penultimate public concert Beethoven, at the time almost deaf, gave as a pianist. The 250th anniversary of one of the greatest composers of all time was an irresistible impulse for the Smetana Trio. Their new addition to the Beethoven discography possesses all the parameters of the ensemble's previous, highly acclaimed recordings and will undoubtedly cause quite a stir. Beethoven's chamber music through the lens of the Smetana Trio." In Smetana Trio: Beethoven: Piano Trios. Supraphon [online]. [cit. 2021-6-23]. Dostupné z: https://www.supraphon.com/album/577799-beethoven-piano-trios Zdroj anotace: OKCZ - ANOTACE Z WEBULoading…
Number of the records: 1